Kling Pro Motion Control is available in Cleep for video workflows where movement is guided by source material rather than described only with text. A motion-control task involves at least two responsibilities: choosing a visual subject that can be animated clearly and choosing motion reference material whose timing and framing fit that subject. Careful preparation matters more than adding a long prompt.
Use a sharp image or supported source with the complete subject visible. Limbs, clothing edges, and the surrounding floor or background should be easy to distinguish. Match the target aspect ratio before generation and leave room for the movement. Cropped hands, feet, or props can create ambiguity when the referenced motion requires them later.
Keep an untouched original and verify that you have permission to animate the person, character, product, or artwork. If identity must remain stable, avoid sources with heavy filters, extreme perspective, or very small faces.
Select a reference with one clearly visible performer or movement, stable timing, and framing that is compatible with the visual source. Complicated occlusion, rapid cuts, large differences in body proportions, or movement outside the frame can make the transfer harder to review. Trim the reference to the useful action and decide which part of the movement is essential.
Let the motion reference guide the action. Use the text instruction for environment, camera treatment, lighting, pace, and details that are not already defined. Avoid describing a second, conflicting movement. If the result needs a different action, change the reference or isolate that action in a separate shot.
Watch the complete output for identity drift, anatomy changes, sliding feet, unstable clothing, changing props, background distortion, and contact errors. Compare the rhythm and direction with the reference, but also judge whether the result looks physically coherent for the new subject. Inspect any transition where a limb or prop crosses the body.
Store the source, reference, prompt, settings, and output together. For a sequence of shots, approve them individually and maintain a production note for consistent framing, wardrobe, lighting, and disclosure.
Do not transfer motion to a real person’s likeness without permission or use an edit to fabricate an endorsement or event. Respect rights in both the visual source and the motion reference. Label synthetic footage when the context or publishing platform requires it.
Framing, proportions, occlusion, source quality, and incompatible camera direction can affect the transfer. Simplify the reference and align the inputs more closely.
Usually the reference should define movement. Use text for setting and visual treatment unless a short clarification is needed.
Use a short, clearly framed movement with a sharp source and minimal camera complexity, then review identity and contact points before refining.